Soldiers & civilians both share secret lives of superstition and they often carry material objects for ‘luck’ and protection during life’s challenging moments. Building on my rustic War and Peace 2023 amulets, these 2 new designs are high-fire colour glazed using WA stoneware clay & come with each 2024 giclée limited edition print orders for ‘Love in a Cold Climate’ & ‘Crooked Roads’.

This canvas is one of 4 images I painted for my visual essay in VALA 5. Written for an international audience, it is a comparative reflection on William Blake's rather complex 1790s poem ‘The Marriage of Heaven and Hell’ and the ‘UK Defence Doctrine 2022’ (UKDD), together with some philosophical classics which together create an alternate lens on new capabilities amidst current global, geopolitical tensions in both Europe and the Indo-Pacific of 2023…I hope it makes a positive contribution at a very challenging time for us all.

I was reminded with all the stories around the Indo-Pacific and naval activities of some artworks from my 1992 solo exhibition Dualities. I was 24 and they have that graphic style from the era as I was doing graphic design back then before I discovered paint and canvas. It is the same theme, starting with dry pastel on paper in very vivid colours (1). All titled the same, Ship of Fools. This first image was actually the last incarnation. I started off with some pen and ink cross hatch drawings (3), the theme then evolved into an etching/aquatint on cotton rag (2).

My Rearview Mirror posts are a remembrance of things I did in the past, which have come full circle to bite us. The exponential exposion of AI, and the launch of ChatGPT, has made everyone aware that AI has made a gigantic leap and left the test tube. Those of us in the margins of creative thinking who tried to warn policy makers over a decade ago perhaps feel less awful about that today. After all, they have ignored bigger fish like Stephen Hawking…

“William Blake’s character Orc and I did a metaphorical bar hop and imagined our way into a bar in Richmond on a typically cold, wet winter Melbourne evening. The windows were steamed up from the kitchen and after many whisky shots we were both worse for wear. Back in my real-time studio of course, it was gin & tonics…So, in my imaginary studio conversations, Orc was in verbal stream-of-consciousness about how men saw their violence as crucial to their hero’s journey…

This is a new drypoint print about my ‘imaginary’ meeting with William Blake’s Orc from his poem America a Prophecy (1793). In my process of painting Australia a Prophecy in 2021, I engaged with William Blake’s poem America a Prophecy and that poem’s main character Orc. The following is a transcript from my 2023 talk to The Blake Society in January 2023. I used the term “imaginary conversation” in a performative way to bring my process alive in that talk and to walk the audience through the concept of a focused imagination as a ‘doorway’ into the visionary processes…