Blog Archives

Blog Archives

Blog Archives

Blog Archives

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)

Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles/Commentary: ‘China Seas’ -1935

“A story only the Far East could tell”. “Daring”. “Your dream of Romantic Adventure come true”. - Clark Gable. - Jean Harlow - Wallace Beery. - Rosalind Russell. No, this is not another speech by US General Mike Minihan. It is a classic 1935 Hollywood movie called ‘China Seas’ directed by Tay Garnett from Warner Bros Studio led by two memorable movie stars Clark Gable and Jean Harlow.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Studio Notes: Revisiting my visual diaries as drypoint prints

These are my first drypoint prints for decades - Akinesia and Gloria which I did today. My pet project is reworking a selection of my visual diaries over the past 3 decades. I wanted to do a series of prints, but it's been two decades since I did any etchings and I don't own a press. So, I'm incredibly grateful to printmaker Monika Lukowska-Appel here in Perth in Western Australia at the Midland Arts Junction who ran a workshop for artists in my area.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Radio Interview: RTRFM West. Australia

Thank you to RTRFM for inviting me to speak about my exhibition The Assassination of Judy Garland at 464 Smart Space, Perth WA. RTRFM has always been a consistent supporter of my work for many years.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Studio Notes: New Painting: Suppertime and the different shades of our experiences of racism. Music really is our silent voices

The title is from Ethel Waters' rendition of Suppertime from Irving Berlin's 1933 broadway revue - As Thousands Cheer. (play the song on You Tube below). People wouldn't know but this was an innovative revue based on a newspaper and the events of the day (remarkable, you'd never get that bravery today). I re-drew Obama's face with olive leaves, sort of a mask of Caesar.

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